Giacomo Puccini

Tosca

  • Performances
Programma

The staging of Tosca, Puccini's masterpiece, by Massimo Popolizio and conducted by Michele Gamba, returns to the Maggio. On January 14, 1900 at the Teatro Costanzi in Rome, Tosca made its debut, an opera in three acts by Giacomo Puccini to a libretto by Luigi Illica and Giuseppe Giacosa. The source is Victorien Sardou's historical drama La Tosca, written in 1887 specifically for actress Sarah Bernhardt. Puccini was inflamed for that subject after attending a theatrical performance and did everything he could to turn it into an opera. However, the Ricordi publisher initially entrusted the project to another composer, Alberto Franchetti, only to then put it back in the hands of Puccini in 1895. To make Tosca's libretto, the Illica-Giacosa tandem, already successfully tested in La bohème, was reconfirmed. But the work proceeds slowly and with numerous complaints from the librettists. Both consider Sardou's drama unsuitable for operatic transposition due to too many events that prevail over poetry. Puccini, on the other hand, for his part does not care and following only his musical intuition in 1899 he signs what will soon become another of his great masterpieces. Tosca is therefore a work of action where the tension never relaxes and in which the musical discourse must necessarily proceed without stopping, with rare exceptions. This leads the composer from Lucca to adopt a narrative technique based on a dense network of short and recurring motifs - often combined with each other - to comment on the frenetic unfolding of the story. The action is set in papal Rome at the time of the battle of Marengo. The protagonists Floria Tosca, passionate and strong-willed prima donna squared, and her lover Mario Cavaradossi, a painter with liberal and convinced anticlerical sympathies, are hindered by Baron Scarpia, chief of the Bourbon police at the service of the papacy. Animated by murky passions and innate evil, the baron, like a sadistic puppeteer, determines the course of events from start to finish. Fierce persecutor of Mario first, and of Tosca then, (until he is murdered by the woman after an attempted violence) Scarpia continues to hover like a ghost in the orchestra even when dead with the repetition of his threatening theme built on the tritone, the sinister interval that has been associated with Evil in music for centuries. But the dramatic atmosphere of the story, which includes three violent deaths on stage (a stabbing, a shooting and a suicide), is further accentuated by Puccini also through an orchestral writing full of dissonances and tensions, which anticipate the expressionist aesthetics, and a voice often exasperated and pushed to the limit.

Staging by Maggio Musicale Fiorentino
More characters TBD (updated: June 30, 2025)

Poster © Gianluigi Toccafondo

Tickets on sale: September 8, 2025

Artists

Conductor
Michele Gamba

Chorus master
Lorenzo Fratini

Director
Massimo Popolizio

Sets
Margherita Palli

Costumes
Silvia Aymonino

Lights
Pasquale Mari

Maggio Musicale Fiorentino Orchestra and Chorus

Children choir of the Maggio Musicale Fiorentino Academy

Children chorus master
Sara Matteucci

Floria Tosca
Chiara Isotton/Marta Mari (15, 17)

Mario Cavaradossi
Vincenzo Costanzo/Bror Magnus Tødenes (15, 17)

Scarpia
Alexey Markov/Claudio Sgura (15, 17)

Cesare Angelotti
Mattia Denti

Il sagrestano
Matteo Torcaso

Spoletta
Mario Greco

Sciarrone
Huigang Liu

Running Time
First part: 50 minutes | Intermission: 30 minutes | Second part: 45 minutes | Intermission: 30 minutes | Third part: 30 minutes
Approximately 3 hours and 5 minutes
Prices
Stalls 1 (première)130,00€
Stalls 1 (other performances)110,00€
Stalls 290,00€
Stalls 375,00€
Stalls 465,00€
Boxes45,00€
Gallery35,00€
Limited visibility15,00€
Just listening10,00€