Johann Sebastian Bach

Matthäus-Passion

Maestro concertatore e direttore
Kent Nagano

Ideazione, regia, costumi, luci
Romeo Castellucci

  • Tickets
Programma

The public is hereby informed that, following the announcement of a strike by the trade unions CGIL, CISL, FIALS, and UIL, the performance of Matthäus-Passion scheduled for Thursday, 4 December may not take place.

We apologise for any inconvenience this may cause and recommend checking the Theatre’s website for updates.

Composed by Johann Sebastian Bach in 1727 for the Lutheran office of Holy Week, the Matthäus-Passion (St. Matthew Passion), BWV 244, fell into oblivion after the composer's death. A little over a century later, Felix Mendelssohn resurrected it and performed it in concert in Berlin on March 11, 1829, returning to humanity that immense Bachian masterpiece that is today considered a musical icon of religious confession. The Matthäus-Passion is striking both for its colossal architecture (which includes soloists, a double choir and a double orchestra) and for the expressive power of the musical language.

The text, prepared by Picander (pseudonym of the poet Christian Friedrich Henrici), includes a large group of characters. In addition to the main roles of Jesus, the Evangelist (who is entrusted with the task of narration), Peter, Pilate, and the handmaid, there are other figures such as Judas, Pilate's wife, Joseph of Arimathea, the daughter of Zion, handmaids, witnesses, soldiers, a multiplicity of voices made possible by the use of the double choir. The backbone of the work, divided into two large parts, are the chorales that Bach uses according to precise expressive needs.

Arias and ariosos, moments of meditation and contrition, act as a counterpoint to the tormented narration of the recitatives, where the human component of the drama of Christ's passion, portrayed in all his pain as a man, is accentuated.

Maggio Musicale Fiorentino staging

Poster © Gianluigi Toccafondo

We express our gratitude for the voluntary contributions to the production to:

The Department of Health Sciences – University of Florence, for the loan of the skull.
Autolinee Toscane S.p.A., Florence, for providing the bus.
Meranese Servizi S.p.A., for the loan of materials and the assistance of the cleaning staff.
The sports association “Sempre Avanti Juventus,” Florence, for the loan of the wrestlers’ mat.
The Municipal Police of Florence.
The midwives of the association “La Mia Ostetrica APS,” Florence, and the parents of the newborns, for the gift of the birthing cloths.
Sebia, Bagno a Ripoli, for technical support and the loan of analytical equipment.
Brokk, for technical support and the loan of the Darda Hydraulic Splitter.
We also extend our gratitude to the families of the deceased for sharing their loved ones’ last meal.

Artists

Conductor
Kent Nagano

Chorus master
Lorenzo Fratini

Director, sets, costumes and lights
Romeo Castellucci         

Dramaturgy
Piersandra Di Matteo

Collaborating director
Silvia Costa

Assistants director
Maxi Menja Lehmann
Nis Fee Brender
Stefania Grazioli

Assistant sets
Maroussia Vaes

Maggio Musicale Fiorentino Orchestra and Chorus

Children choir of the Maggio Musicale Fiorentino Academy

Children chorus master
Sara Matteucci

Evangelist
Ian Bostridge

Soprano I
Anna El-Khashem

Soprano II
Suji Kwon

Alto
Iurii Iushkevich

Tenor
Krystian Adam

Jesus
Edwin Crossley-Mercer

Bass I
Thomas Tatzl

Bass II
Gonzalo Godoy Sepúlveda

Running Time
Approximately 3 hours and 15 minutes (including a short inrmission)
Tickets
Teatro del Maggio Musicale Fiorentino
Teatro del Maggio Musicale Fiorentino
Teatro del Maggio Musicale Fiorentino
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Settore A
Settore B
Settore C
Prices
Settore A90,00€
Settore B65,00€
Settore C40,00€
Locandina