Maestro concertatore e direttore
Kent Nagano
Ideazione, regia, costumi, luci
Romeo Castellucci
The public is hereby informed that, following the announcement of a strike by the trade unions CGIL, CISL, FIALS, and UIL, the performance of Matthäus-Passion scheduled for Thursday, 4 December may not take place.
We apologise for any inconvenience this may cause and recommend checking the Theatre’s website for updates.
Composed by Johann Sebastian Bach in 1727 for the Lutheran office of Holy Week, the Matthäus-Passion (St. Matthew Passion), BWV 244, fell into oblivion after the composer's death. A little over a century later, Felix Mendelssohn resurrected it and performed it in concert in Berlin on March 11, 1829, returning to humanity that immense Bachian masterpiece that is today considered a musical icon of religious confession. The Matthäus-Passion is striking both for its colossal architecture (which includes soloists, a double choir and a double orchestra) and for the expressive power of the musical language.
The text, prepared by Picander (pseudonym of the poet Christian Friedrich Henrici), includes a large group of characters. In addition to the main roles of Jesus, the Evangelist (who is entrusted with the task of narration), Peter, Pilate, and the handmaid, there are other figures such as Judas, Pilate's wife, Joseph of Arimathea, the daughter of Zion, handmaids, witnesses, soldiers, a multiplicity of voices made possible by the use of the double choir. The backbone of the work, divided into two large parts, are the chorales that Bach uses according to precise expressive needs.
Arias and ariosos, moments of meditation and contrition, act as a counterpoint to the tormented narration of the recitatives, where the human component of the drama of Christ's passion, portrayed in all his pain as a man, is accentuated.
Maggio Musicale Fiorentino staging
Poster © Gianluigi Toccafondo
We express our gratitude for the voluntary contributions to the production to:
The Department of Health Sciences – University of Florence, for the loan of the skull.
Autolinee Toscane S.p.A., Florence, for providing the bus.
Meranese Servizi S.p.A., for the loan of materials and the assistance of the cleaning staff.
The sports association “Sempre Avanti Juventus,” Florence, for the loan of the wrestlers’ mat.
The Municipal Police of Florence.
The midwives of the association “La Mia Ostetrica APS,” Florence, and the parents of the newborns, for the gift of the birthing cloths.
Sebia, Bagno a Ripoli, for technical support and the loan of analytical equipment.
Brokk, for technical support and the loan of the Darda Hydraulic Splitter.
We also extend our gratitude to the families of the deceased for sharing their loved ones’ last meal.
Conductor
Kent Nagano
Chorus master
Lorenzo Fratini
Director, sets, costumes and lights
Romeo Castellucci
Dramaturgy
Piersandra Di Matteo
Collaborating director
Silvia Costa
Assistants director
Maxi Menja Lehmann
Nis Fee Brender
Stefania Grazioli
Assistant sets
Maroussia Vaes
Maggio Musicale Fiorentino Orchestra and Chorus
Children choir of the Maggio Musicale Fiorentino Academy
Children chorus master
Sara Matteucci
Evangelist
Ian Bostridge
Soprano I
Anna El-Khashem
Soprano II
Suji Kwon
Alto
Iurii Iushkevich
Tenor
Krystian Adam
Jesus
Edwin Crossley-Mercer
Bass I
Thomas Tatzl
Bass II
Gonzalo Godoy Sepúlveda
| Settore A | 90,00€ |
| Settore B | 65,00€ |
| Settore C | 40,00€ |
